» The Vakataka power was followed by Chalukyas.
» Chalukyas established their capital at Vatapi / Badami in the district of Bijapur in Karnataka.
» Pulakesin II (609-42 AD) was able to check Harsha's design to conquer Deccan.
» Aihole inscription is an eulogy written by his court poet Ravikirti.
» He sent an ambassador to the Persian King Khusrau II in 625 AD and also received one from him.
» The Chinese pilgrim Hiuen-Tsang visited his kingdom.
» Pallava ruler Narsimhavarman 'Mammala' invaded the Chalukya kingdom, killed Pulakesin II and captured Vatapi. He adopted the title Vatapikonda i.e. the conqueror of Vatapi.
» In 757 AD, Chalukyas were overthrown by their feudatories. the Rashtrakutas.
» Chalukyas began the Vesara style or Deccan style in building structural temples, which however, reached culmination, only under the Rashtrakutas and the Hoyasalas.
Specimens of Chalukyan Temples :
1. Vesar style - Jinendra temple or Meguti temple - Aihole (Ravikirti); Vishnu temple - Aihole, Ladh Khan temple (attributed to god Surya) - Aihole, Durga temple - Aihole; Aihole is called a town of temples because it contains about 70 temples.
2. Nagara style : Papanatha temple – Pattadakal
3. Dravida style : Virupaksha temple and Sangamesvara temple- Pattadakal.
» There is controversy regarding the origin of Pallavas. Possibly the Pallavas were a local tribe who established their authority in the Tondaimandalam or the land of creepers.
» They were orthodox Brahmanical Hindus and their capital was Kanchi.
» Both Chalukyas and Pallavas tried to establish their supremacy over land between Krishna and Tungabhadra.
» Pallava king Narsimhavarman (630-668 AD) occupied Chalukyan capital Vatapi in about 642 AD and assumed the title Vatapikonda i.e. conqueror of Vatapi.
» Pallavas were instrumental in spreading Indian culture in South-East Asia. Till the 8th century AD Pallava influence was predominant in Cambodia. The Pallava type of Shikhara is to be found in the temples of Java, Cambodia and Annam.
» Pallavas began the Dravida stye of temple architecture, which reached culmination under the rule of Cholas.
» The development of temple architecture, particularly Dravida style.